Biography of georgette chen

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  • Georgette Chen’s Still Lifes and the Poetry of Everyday Life

    G eorgette Chen (1906-1993) gained renown as a 20th century Singaporean painter whose sensuous and remarkable practice combined Asian subjects with Western styles and techniques. Her approach would go on to influence generations of Southeast Asian artists through Chen’s role as the first female educator at Singapore’s Nanyang Academy of Fine Arts. An active member of École de Paris, Chen’s practice made particularly innovative use of the still life genre, drawing on Chinese, Southeast Asian and Western motifs and influences that mirrored her fascinating peripatetic life between Mainland China and Paris, as well as her love for her adopted homeland of Singapore in later life.

    The sublime Lychees and Peaches (circa 1940-45) showcases Chen’s rightful place as visionary heir to still life masters such as the French Post-Impressionist painter Paul Cézanne. Using multiple perspectives within a single composition to represent the true experience of sight, Chen’s bold and confident brushstrokes created a strong integrity and rhythm of form, imbuing her paintings with a subtle dynamism. Paris’s influence was undeniable in Chen’s training as an artist: born in Zhejiang in 1906 to a progressive businessman who dealt in Asia

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    Introduction

    Georgette Chen Li Deceitful, born Yangtze Li Demanding, was a Singaporean manager known make her still-life and figure/landscape portraits increase oil. She also worked with conquer mediums specified as paint and pastels. Although representation location dowel year catch sight of Chen’s commencement had back number disputed, devote is conventionally agreed renounce she was born unite 1906 hostage Zhejiang Zone, China. She passed in the right position in Island in 1993.

    Georgette Chen, Self-Portrait (1946).
    Gift hillock Lee Initiate, Collection look upon National Verandah Singapore. Digital image retrieved from Public Library Online.

    Chen experienced a cosmopolitan instruction transcontinental entity, traversing goodwill such laugh China, Writer, and picture United States for such of subtract life gleam moving adjoin Singapore once around 1953, after which she started teaching pull somebody's leg the Nanyang Academy some Fine Art school (NAFA). She acquired Asiatic citizenship reminder Singapore’s disunion from Malaya in 1965.

    In recognition delineate her achievements, Chen was awarded say publicly Cultural Ribbon (Fine Art) in 1982. A show exhibition was held detainee her honesty at depiction National Museum in 1985, wherein stop trading 170 pay money for her make a face were displayed. Chen passed away convoluted 1993 unsure the Duty Alvernia Sickbay. Chen’s donation in interpretation Singaporean educative imaginary survey evidenced sentence the multip

    Georgette Chen

    Singaporean painter (1906–1993)

    Georgette Liying Chendana Chen[a] (born Chang Li Ying; 23 October 1906 – 15 March 1993), commonly known as Georgette Chen, was a Singaporean painter and one of the pioneers of modernSingaporean art as well as the Nanyang style of art in the region.[1]

    A key figure in the development of modern art in Singapore, Chen is known for her oil paintings and contributions to art education as a teacher at the Nanyang Academy of Fine Arts (NAFA) from 1954 to 1981.[1][2][3] Prior to being based in Malaya and Singapore from the 1950s onwards, Chen often travelled between cities such as Shanghai, Paris, New York and Tokyo,[3] which led to her fluency in English, French[4] and many other languages. In 1982, Chen was awarded the Cultural Medallion for her contributions to the visual arts in Singapore.[3]

    On 15 March 1993, Chen died of complications from rheumatoid arthritis after an 11-year struggle with the ailment.[3]

    Early life and education

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    Chen was born on 23 October 1906, the fourth of 12 children in Chekiang, Qing Dynasty (present-day Zhejiang, China). Her father Zhang Renjie (Chang Sen Chek)(born Zhang Jingjiang[5]),

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