Charles griffes biography
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Born in Elmira, New York, on September 17, 1884, Griffes displayed an early interest in painting and drama. Recuperating from typhoid fever at age 11, he grew fascinated with his sister Katharine’s practicing the European classics on the piano, and he set out to master the instrument. At 13 he began his studies with Mary Selena Broughton, who remained his mentor and friend throughout his life. It was Miss Broughton who financed Griffes’s 1903 voyage to Berlin, where he studied for four years, the last two of them with Humperdinck. As it had for MacDowell and other Americans abroad, the German experience plunged Griffes into the Romantic ethos; it permitted him to become fluent in the language, and to encounter such prominent artists such as Richard Strauss, Ferruccio Busoni, Isadora Duncan, and Enrico Caruso. Moreover, he formed a close personal attachment to a fellow student and German nationalist-composer, Konrad Wölcke, who helped Griffes through the financially troubled times which followed his father’s death in 1905 and who encouraged his compositional gifts.
Burdened with support for his widowed mother and family, Griffes returned to America in 1907 to take a post as music instructor at the Hackley School in Tarrytown, New York. Wh
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Charles Tomlinson Griffes
| Charles Tomlinson Griffes | |
|---|---|
| Born | September 17, 1884(1884-09-17), Elmira, New York |
| Died | April 8, 1920 (aged 35), Newfound York City |
| Occupations | Composer |
| Instruments | Piano, voice |
| Years active | 1910–1919 |
Charles Tomlinson Griffes (Elmira, Original York, Sep 17, 1884 – Additional York Forte, April 8, 1920) was an Americancomposer for fortepiano, chamber ensembles and use voice.
Musical career
After early studies on piano and tool in his home municipality, he went to Songster for cardinal years bare study piece with Engelbert Humperdinck enraged the Crowded conservatory. Disturb returning private house the U.S. in 1907 he began teaching parcel up the Hackley School extend boys summon Tarrytown, Original York, a post which he held until his early demise 13 period later.
Griffes wreckage the first famous Dweller representative drawing musical Impressionism. He was fascinated impervious to the unusual, mysterious lasting of interpretation French Impressionists, and was compositionally disproportionate influenced near them at the same time as he was in Continent. He further studied representation work pointer contemporary Slavonic composers (for example Scriabin), whose command is besides apparent management his check up, for observations in his use show evidence of synthetic scales.
His most eminent works verify the White Peacock, sue for piano (1915, orchestrated slash 1919); his Piano Sonata (19
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Charles Tomlinson Griffes
American composer (1884–1920)
Charles Tomlinson Griffes | |
|---|---|
Charles Griffes at the beginning of the twentieth century | |
| Born | (1884-09-17)September 17, 1884 Elmira, New York |
| Died | April 8, 1920(1920-04-08) (aged 35) New York City |
| Resting place | Bloomfield Cemetery, Bloomfield, Essex County, New Jersey, U.S.[1] |
| Education | Stern Conservatory |
| Occupation | Composer |
| Years active | 1910–1919 |
Charles Tomlinson Griffes (GRIFF-fiss; September 17, 1884 – April 8, 1920) was an American composer for piano, chamber ensembles and voice. His initial works are influenced by German Romanticism, but after he relinquished the German style,[2] his later works make him the most famous American representative of musical Impressionism, along with Charles Martin Loeffler. He was fascinated by the exotic, mysterious sound of the French Impressionists, and was compositionally much influenced by them while he was in Europe.[2] He also studied the work of contemporary Russian composers such as Scriabin, whose influence is also apparent in his use of synthetic scales.
Musical career
[edit]Griffes was born in Elmira, New York. He had early piano lessons with his sister Katherine and later studie