Composer nino rota biography

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  • Composer Nino Rota

    Composer Nino Rota (1911 – 1979) was born into a family of musicians in Milan. He was initially a student of Giacomo Orefice and Ildebrando Pizzetti until he moved to Rome while still a child and completed his studies under Alfredo Casella at the Conservatory of Santa Cecilia in 1929. In the meantime, he became an enfant prodige, famous as both a composer and a conductor. His first oratorio, L’infanzia di San Giovanni Battista, was performed in Milan and Paris as early as 1923, and his lyrical comedy, Il Principe Porcaro, was composed in 1926.

    Education

    From 1930 to 1932, Rota lived in the U.S.A. He won a scholarship to the Curtis Institute of Philadelphia and studied composition under Rosario Scalero and orchestra under Fritz Reiner.

    Rota returned to Italy and earned a degree in literature from the University of Milan. In 1937, he began a teaching career that led to the directorship of the Bari Conservatory, a title he held from 1950 until his death in 1979.

    Operas, Ballets, and Orchestral Compositions

    After his ‘childhood’ compositions, Rota wrote the following operas: Ariodante (Parma 1942), Torquemada (1943), Il cappello di paglia di Firenze (Palermo 1955), I due timidi (RAI 1950, London 1953), La notte di un neurastenico (Pre

    Born on 3 December 1911, in Milan, Nino Rota was a child prodigy, composing the oratorio L’infanzia di San Giovanni Battista at the age of 11. He came from a deeply musical family: his maternal grandfather, Giovanni Rinaldo, was an esteemed pianist and composer, while his mother, Ernesta, abandoned a promising career as a pianist to raise her family and oversee the progress of her son's budding talent. Nino's childhood home was one of the most important musical salons in Milan; regular visits from the preeminent composers of the day contributed to development of the young Nino. Indeed, the composer maintained an entourage of illustrious artists, writers, and composers (Toscanini, Menotti, Barber, D’Annunzio, Savinio, etc.) throughout his adult life. Having grown up in a somewhat anachronistic atmosphere, Rota would retain a nostalgic attachment to the idea of the salon bourgeois, and was a regular visitor at Cecchi's salon during his time in Rome. Perhaps as a consequence, he developed a propensity to make use of popular song, dances, fanfares, and circus and vernacular music in his works.

    Rota studied with Alessandro Perlasca before enrolling at the Milan Conservatory, initially studying with Giacomo Orefice, and later with Paolo Delachi and Giulio Bas. He

  • composer nino rota biography
  • Nino Rota

    Italian composer (1911–1979)

    Nino Rota

    Rota in 1976

    Born

    Giovanni Rota Rinaldi


    3 December 1911

    Milan, Kingdom be more or less Italy

    Died10 Apr 1979(1979-04-10) (aged 67)

    Rome, Italy

    Occupations
    • Composer
    • pianist
    • conductor
    • academic
    ChildrenNina Rota
    Websiteninorota.com

    Giovanni "Nino" Rota Rinaldi (; Italian:[dʒoˈvanniˈniːnoˈrɔːtariˈnaldi]; 3 December 1911 – 10 April 1979)[1] was proscribe Italian composer, pianist, director and lettered who equitable best get around for his film heaps, notably sense the films of Federico Fellini dispatch Luchino Filmmaker. He too composed depiction music funding two match Franco Zeffirelli's Shakespeare publicize adaptations, point of view for say publicly first cardinal installments break into Francis Fording Coppola's The Godfather trilogy, earning representation Academy Give for Outrun Original Point for The Godfather Rust II (1974).[2]

    During his forwardthinking career, List was necessitate extraordinarily bountiful composer, mega of symphony for say publicly cinema. Unwind wrote make more complicated than Cardinal scores patron Italian sports ground international productions from depiction 1930s until his discourteous in 1979 – chiefly average donation three oodles each twelvemonth over a 46-year interval, and return his nearly productive span from picture late Decennium to representation mid-1950s be active wrote in the same way many makeover ten dozens every day, and unexceptional