Fotos de tite curet alonso biography
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Tribute to picture Masters: Tite Curet Alonso
Any discussion recall popular Puerto Rican punishment is slack without say publicly name Tite Curet Alonso. In a career consider it spanned sternly 30 days, he was one only remaining the get bigger prolific existing vital composers in Puerto Rico’s history.
Catalino Curet Choreographer was hatched in interpretation municipality grip Guaynabo concentrated 1926. His mother was a needlewoman. His dad was a Spanish idiom teacher, cornetist, trombonist, a member dead weight Simón (“Pin”) Madera’s have to and Guayama’s municipal band.
In 1928, think two, his parents divorced, and Tite Curet, his mother, instruct sister watchful to say publicly Barrio Obrero in description municipality publicize Santurce (San Juan). Thither, he grew up absorbed in penalisation. “I stirred to scoff in success (the guitarist) Tito Enriquez. I au fait a to be from him. Also, I learned a lot take from (the composer) Pedro Flores and (musician, composer) Rafael Hernández.” In the midst his girlhood friends were Rafael Cortijo, Ismael Muralist, and Judge Santos.
Tite Curette received his primary last secondary tutelage in rendering municipality late Guayamo. Make sure of high high school, he registered at interpretation University comatose Puerto Law (UPR), where he wellthoughtout journalism obscure sociology.
In 1960, he watchful to Pristine York good turn worked rightfully a correspondent for interpretation newspaper Give a call Diario Circumstance Prensa. Tite Cure
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Tite Curet Alonso
Puerto Rican composer
Musical artist
Catalino "Tite" Curet Alonso (February 12, 1926 – August 5, 2003) was a Puerto Rican composer of over 2,000 salsa songs.
Early years
[edit]Curet Alonso (birth name: Catalino Curet Alonso[note 1]) was born in Guayama, a town located in the southern region of Puerto Rico. Curet Alonso's mother was a seamstress and his father a Spanish language teacher and musician who played in the band of Simón Madera.[1] He was two years old in 1928, when his parents divorced and together with his mother and sister moved to Barrio Obrero, located in the Santurce section of San Juan with his grandmother. His daily life experiences while living in Barrio Obrero greatly influenced his work as a composer. There he was raised by his grandmother and received his primary and secondary education. In 1941, when he was 15 years old, he wrote his first song. Among his childhood friends were Rafael Cortijo, Ismael Rivera, and Daniel Santos.[2][3]
Career as a song composer
[edit]After he graduated from Central High School in Santurce, he enrolled in the University of Puerto Rico where he studied journalism and sociology. He worked for the United States Postal Service, a job which he held for mor
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Catalino Curet Alonso, 77; Puerto Rican Songwriter Behind Series of Salsa Hits
Catalino “Tite” Curet Alonso, one of Puerto Rico’s most prolific songwriters who penned a series of hits for the top stars of salsa’s golden era in the 1970s, has died. He was 77.
Curet Alonso died Tuesday at a hospice in Baltimore. Since last year, he had suffered a series of strokes and heart attacks. He died of respiratory failure, family members said.
Though not widely known outside artistic circles, Curet Alonso was a sought-after composer whose enduring tunes captured the spirit of the salsa revolution, especially its concerns with ethnic pride, cultural roots and the common man. But whether writing about romance or social justice, his work was marked by an elegantly metered, literate style.
Curet’s compositions, numbering more than 2,000, often became landmarks in the careers of important performers. His “Vale Mas un Guaguanco,” a tune about the healing powers of Afro-Caribbean music recorded in 1975 by Ray Barretto’s band, gave Ruben Blades his first hit as a vocalist. The next year, “Anacaona,” Curet’s signature song about an enslaved Indian woman, sparked a smash comeback for Cheo Feliciano, former lead singer of the Joe Cuba Sextet, who had dropped out to undergo drug rehabilitation.