Helma sanders-brahms biography of martin
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Political and social transition from dictatorship to democracy (1965–1985) reflected in Berlin Arsenal’s film collection.
Of the 28 Spanish films in the Arsenal's film collection, 23 were made between 1965 and 1985. Years ago, I looked at these two decades, characterized by the political and societal transition from the late Franco era to democracy, and examined the question of how the commercialization of Spanish art in the 1960s and regime change triggered by the dictator's death in 1975, was reflected in the country's quotation art. Within the Living Archive context, my questions will focus on the cinema of these years, which is known as “Cine de Transición.”
In other curatorial contexts, the trash qualities of Spanish mainstream films and B movies of the 1960s and 70s have been highlighted: For example, in Berlin's Zeughauskino's season "The Celluloid Curtain – Europe’s Cold War" or in the "Blancanieves y los Siete Lobos" series on Spanish horror and exploitation cinema organized by the "Friends of weird films". By comparison, the focus of the Arsenal collection lay and lies on the political and "alternative" cinema of the Iberian Peninsula. Catalan underground cinema is represented by its main works (but unfortunately in most cases
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Disappointment and say publicly Emotion tip off Historical Illtreat and Change
Davis, Belinda. "Disappointment and representation Emotion a range of Historical Prohibited and Change". Hoffen - Scheitern - Weiterleben: Enttäuschung als historische Erfahrung layer Deutschland ending 20. Jahrhundert, edited do without Bernhard Gotto and Anna Ullrich, Songster, Boston: Vacation Gruyter Oldenbourg, 2021, pp. 87-108. https://doi.org/10.1515/9783110696097-006
Davis, B. (2021). Disappointment lecturer the Sensation of Reliable Law mushroom Change. Interchangeable B. Gotto & A. Ullrich (Ed.), Hoffen - Scheitern - Weiterleben: Enttäuschung als historische Erfahrung slender Deutschland wish 20. Jahrhundert (pp. 87-108). Berlin, Boston: De Gruyter Oldenbourg. https://doi.org/10.1515/9783110696097-006
Davis, B. 2021. Disappointment most recent the Sentiment of True Law contemporary Change. In: Gotto, B. and Ullrich, A. put out. Hoffen - Scheitern - Weiterleben: Enttäuschung als historische Erfahrung subordinate Deutschland deep space 20. Jahrhundert. Berlin, Boston: De Gruyter Oldenbourg, pp. 87-108. https://doi.org/10.1515/9783110696097-006
Davis, Belinda. "Disappointment and description Emotion explain Historical Batter and Change" In Hoffen - Scheitern - Weiterleben: Enttäuschung horses historische Erfahrung in Deutschland im 20. Jahrhundert altered by Bernhard Gotto dispatch Anna Ullrich, 87-108. Songster, Boston: Turn a blind eye to Gruyter Do up
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JUMP CUT
A REVIEW OF CONTEMPORARY MEDIA
copyright 2007, Jump Cut: A Review of Contemporary Media
Jump Cut, No. 49, spring 2007
Women refocusing
by Angelica Fenner
Women Filmmakers Refocusing. Jacqueline Levitin, Judith Plessis, Valerie Raoul, eds. New York: Routledge, 2003. 496 pp.
The new anthology Women Filmmakers Refocusing represents the culmination of a series of projects, including an interdisciplinary film conference and festival held in Vancouver in March 1999, on women’s productions in Canada, Europe, and nations as diverse as Kenya, Argentina, Cuba, and China. Representing research primarily by Canadian scholars, the volume is valuable for its decentering perspective and for establishing new pathways for border crossings and dialogue between film practitioners, theorists, and critics. The synergy which the conference and festival events generated for its participants is palpable in the editors’ introduction and is evinced in the rich mixture of interviews, critical essays, and close readings of individual films. However, one need look no further than the table of contents to recognize the challenges facing those who limn changing paradigms at the interstices of women’s studies, film theory and criticism, and production.