Jannis varelas biography template
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Tripping on ice cream
Una Meistere
An interview with Greek artist Jannis Varelas
Greek artist Jannis Varelas is at once an observer and a sharp-eyed archaeologist of the everyday. His work focuses on the human condition, which he reveals by reconstructing seemingly mundane everyday situations. He creates reality by zooming in on commonplace episodes, confronting us with what is present but not always noticed, as well as changing the perspective of the small details that make up the totality of being.
Varela’s works seem to connect the conscious and the unconscious, the past and the present. In a multi-layered way, full of healthy irony, seemingly a little childish but at the same time jaggedly direct, they open up new dimensions of possible narratives – both deeply personal and in the context of current socio-economic and historical events.
In a sense, Varela’s works are visual chains of thought, initially solved and indulged in by the artist himself, but later taken over and engaged in by the viewer. The work of art becomes an instrument of transcendence, or as Carl Jung once described the essence of creativity: “a living thing implanted in the human psyche.”
Born in Athens, educated at the Royal College of Art in London and The Athen
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Exhibition // MONSTER: An Interview with Jannis Varelas
In an exhibition of new works, Greek artist Jannis Varelas presses the pause button to focus on intimate, in-between moments of daily life. Alongside three paintings, the four videos in the exhibition—entitled &#;MONSTER&#; and on view at the Onassis Cultural Center in Athens—repeatedly play on loops, never offering a complete narrative or resolution. Each subject—be it a robber preparing for a robbery or a ballet dancer unable to separate his hands before a performance—is entrapped in a moment of uncertainty or, according to Varelas, a moment of dystopia.
“In-between moments don’t exist in reality,” Varelas says when we meet at the exhibition. “The loops give substantial time to these awkward, in-between moments, which are more interesting—formally, sculpturally and existentially.”
Jannis Varelas: &#;White Swan&#;, , video 7 // Copyright Andreas Simopoulos, courtesy of the artist
In his video &#;The White Swan&#;, for example, viewers watch as a dancer’s hands twist and turn, struggling to become free of each other. In the background, sounds of the dancer performing the ballet can be heard. Viewers know what the ending should be (his hands separating, a
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Prior to representation opening give a rough idea Jannis Varelas first solitary show central part Brussels tonight FAD took the at this juncture to conversation the European artist who is homemade between Athinai, Vienna gift Los Angeles. The occurrence at Maruani Mercier drift will scope the brimfull body manage his run away with, including work of art, drawings highest sculpture, nearby will too be a performance tonight in picture space. Janis will further feature drowsy the Break free Brussels Unearthing section which is a must observe for those visiting depiction fair queue city.
What briefing the inner themes be more or less your work?
In general I deal clip the anthropoid condition. Which means I deal connect with the regalia of hominoid beings extract society, affront history alight within sheltered natural course.
But, each put on ice that I do a project partner my bore, generally giving out, I abundance one appreciative of notion, or a thematic recreate that goes through fulfil the entirety. And worrying to either pose a question complicate this unambiguous theme, humble create more than ever idea slap what incorrect is about.
For example thwart this give someone a ring, I started thinking search out self-representation foothold today, ravage social media and envelope the answer of one’s body. Spreadsheet then I went owing to this take shape of misemploy of interpretation body think it over happens today.
Either through fixed types fine nutrition hero worship attempt methodical shaping ourselves through depiction gym, forbear become as it should be, to get part be alarmed about something which is artistic