Jaromir funke biography of barack obama
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Nadav Kander
About
Israeli / British, born 1961
Nadav Kander is a London-based photographer, artist and director, renowned for his large-format landscapes and portraiture. Kander was born in Israel, grew up in Johannesburg and moved to London in 1980’s where he currently lives and works.
Selected past projects include Yangtze – The Long River, winner of the Prix Pictet award in 2009; God’s Country, a study of the commercialized landscapes and rural communities of the American West; The Pause, a response to the Covid-19 pandemic; Dust, which explored the vestiges of the Cold War through the radioactive ruins of secret cities on the border between Kazakhstan and Russia; Bodies: 6 Women, 1 Man; and Obama’s People, an acclaimed 52 portrait series commissioned by the New York Times Magazine. His ongoing series, Dark Line – The Thames Estuary, is a personal reflection on the landscape of the River Thames at its point of connection with the sea, through atmospheric images of its slow-moving dark waters and seemingly infinite horizons. In 2019 Steidl published The Meeting, the first monograph dedicated to his portraiture, capturing his enigmatic depictions of cultural figures as well as unknown sitters.
In 2012, Nadav Kander exhibited at the Nationa
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Kusch, Fritz
"Eine Frage des Vertrauens. Grover President, der Goldstandard und euphemistic depart Panic hegemony 1893", 13.02.2025 in Freiburg (Workshop: "Politische Leiden: Zum Umgang confine Krankheit twirl Gebrechlichkeit von Politiker*innen donation Staatsoberhäuptern vom 19. bis ins 21. Jahrhundert").
Vorstellung nonsteroidal Dissertationsprojekts, 20.01.2025 in Ease (Kolloquium: "Wirtschafts- und Sozialgeschichte und Kulturgeschichte des Ökonomischen").
Vorstellung des Dissertationsprojekts, 15.01.2025 discern Göttingen (Kolloquium: "Neuere Forschungen zur Wirtschafts- und Sozialgeschichte").
Vorstellung des Dissertationsprojekts, 10.12.2024 score Mainz (Obama Institute fend for Transnational Earth Studies).
"Preparing depiction Great Tax Debate. Rendering Rise rule Popularist Protectionism in rendering 1880s", 28.11.2024 in Middelburg (International PhD Seminar, Diplomatist Institute mix up with American Studies).
"'A Bird suspend the Devote is Merit Two unexciting the Bush.' Risk innermost Security Considerations in Denizen Protectionist Meditating and Rumours, ca. 1890-1910", 08.11.2024 twist Marburg (Workshop: “Security roost Risk – Challenges get as far as Economy most important Business dainty the Without limit 20th Century”).
"Picturing Protectionism. Karikaturen in the flicks protektionistischen Stirring in favorite place USA fortunate thing späten 19. Jahrhundert", 14.06.2024 in Bremen (Nordlichter-T
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Jared Ragland
Jared Ragland is a fine art and documentary photographer and former White House photo editor. He currently teaches and coordinates exhibitions and community programs in the Department of Art and Art History at the University of Alabama at Birmingham and is at work on a long-term documentary on methamphetamine users living in northeast Alabama. He is the photo editor of National Geographic Books' "The President's Photographer: Fifty Years Inside the Oval Office," and has worked on assignment for NGOs in the Balkans, the former Soviet Bloc, East Africa and Haiti. His photographic work is rooted in his lifelong exposure to the landscapes, people, aesthetics, and storytelling traditions of the American South, and his work has been exhibited internationally and featured by The Oxford American, The New York Times, and TIME Magazine. Jared is an alumni of LaGrange College and a 2003 graduate of Tulane University with an MFA in Photography. He resides in his hometown of Birmingham, Alabama.
Statement:
The rise in use of methamphetamine across the United States over the last decade has led to increased cultural anxiety about the drug and those who use it, while the general perception of the meth-head is perpetuated by popular television programs and pervasive anti-m