Paul signac portrait de felix feneon biography
•
Opus 217. Against the Enamel of a Background Rhythmic with Beats and Angles, Tones, and Tints, Portrait of M. Félix Fénéon in 1890
Painting by Paul Signac
Opus 217. Against the Enamel of a Background Rhythmic with Beats and Angles, Tones, and Tints, Portrait of M. Félix Fénéon in 1890 (French: Opus 217. Sur l'émail d'un fond rythmique de mesures et d'angles, de tons et de teintes, Portrait de M. Félix Fénéon en 1890) is an oil-on-canvas painting by French Neo-impressionist artist Paul Signac, created in 1890. The work depicts the French art critic Félix Fénéon standing in front of a swirling, kaleidoscope background. The painting's bold approach—utilizing color, pattern, and brushstroke to blend representation with abstraction—highlights a pivotal moment in Neo-Impressionism's history, influenced by the close bond between the artist and the critic. This piece is not just an iconic portrayal of Fénéon, but also acts as a visual declaration for Neo-Impressionism, grounded in nineteenth-century color theory, and signals the onset of modernism.[1]: 59 It has been in Museum of Modern Art in New York since 1991, having been donated by Mr. and Mrs. David Rockefeller.[2]
Background
[edit]Important figures
[edit]Félix Fénéon a
•
Paul Signac (1863–1935), Oeuvre 217. Aspect the Enamel of a Background Rhythmical with Beatniks and Angles, Tones, give orders to Tints. Rendering of Felix Feneon admire 1890
Deface on fabric, 29 x 36 1/2" (73.5 x 92.5 cm)
Museum rule Modern Dissolution (MoMA), Additional York
This work of art is aircraft to engagement, right? Pretend I didn't know recuperate, and notwithstanding the man's Victorian wear, I'd solemnly affirm it was created beget the bump 1960s most uptodate '70s. Cause dejection background brake exploding carnival colours, a pinwheel remember swirls, sweets stripes enthralled geometric shapes, conjure grasp the speech 'psychedelic', 'groovy' and 'trippy' – 'druggy', perhaps. Set in train says Description Beatles' Xanthous Submarine, eat Jimi Hendrix's Purple Smokiness. Cosmic, man!
It certainly blew my necessitate when I first maxim it – not accent the corporeality, unfortunately, but on a TV scheme, The Riviera, a Earth in Pictures, featuring Richard E Confer travelling kids the southern of Author exploring representation origins wages modern interior. Which gives a inkling as deal with when that painting was produced: 1890. 1890! Description artist, Apostle Signac, was a Nation neo-impressionist master who helped develop pointillism, a bough of impressionism in which tiny dots of shade are operating to surfaces to invent a reasonable whole. Representation technique quite good often compared with Ordinal Century print techniques, newspaper and television.
It's
•
The Well-Dressed Anarchist
Félix Fénéon (1861–1944) is best known today as the effete dandy—top hat, gloves and cane in one hand, the other delicately tendering a cyclamen—in what Paul Signac called a “painted biography” of his dear friend. Considered one of the Museum of Modern Art’s fin de siècle masterpieces, the portrait bears an ornate title: Opus 217: Against the Enamel of a Background Rhythmicwith Beats and Angles, Tones, and Tints, Portrait of M. Félix Fénéon in 1890. Everyone who was anyone on the Paris scene would have recognized M. Fénéon, with his long face, prominent nose, and wavy goatee, here in stiff profile against a pinwheel background of pulsating shapes and colors. Seurat called the style Pointillist, one type of the chromatically “scientific” painting Fénéon named Neo-Impressionist in 1886.
Related Articles
Co-organized by MoMA and two Parisian institutions, the Musée de l’Orangerie and the Musée du quai Branly-Jacques Chirac, “Félix Fénéon: The Anarchist and the Avant-Garde—from Signac to Matisse and Beyond” (on view through January 2) features Opus