Joris hoefnagel biography template
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Joris Hoefnagel
Amoris Monumentum Matri Chariss(imae). Watercolour and gouache on parchment, with a gilt framing line and a later borderline in pen and black ink, on an 18th century blue paper mount. 11.7 x 9.3 cm. Signed and dated: Georgius Hoefnaglius. D. Ao. 89.
In a recent essay in Master Drawings Thea Vignau-Wilberg has offered an enlightening explanation of the historical significance of this intimate and very personal artistic testimonial from Joris Hoefnagel (see „Flowers for His Mother: An Unknown Cabinet Miniature by Joris Hoefnagel", Master Drawings vol. 45, no. 4, 2007, p. 522–525). The translation of the touching inscription: "Dedicated to my dearest mother as a token of my love" says everything about the status of this precious and unique work of art. In view of Hoefnagel’s attachment to his family, especially his close relationship with his mother, Elisabeth Veselaers, the artist must have proceeded with the greatest concentration and ambition when creating this miniature in 1589.
Hoefnagel, whose eventful biography casts a fascinating light on the history of European art and culture in the second half of the 16th century, was employed at the time as a miniature painter at the court of Duke Wilhelm V of Bavaria, where he was held in high esteem. The
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Joris Hoefnagel and the Kunstkammer
Joris Hoefnagel and the Kunstkammer Thea Vignau-Wilberg, Joris and Jacob Hoefnagel. Art and Science around 1600 Berlin: Hatje Cantz, 2017, 544 pages, 515 illustrations, € 50,00, ISBN 978-3-7757-4173-6 Reviewed by Marisa Anne Bass Joris Hoefnagel (1542 – 1600) was more than an artist.1 He was a polymath pur sang. This Antwerp-born merchant, active during the pivotal decades of the late sixteenth century, fashioned himself variously a scholar, poet, collector, art dealer, print publisher, draftsman, and miniaturist. He traveled for study, for business, and out of necessity, eventually abandoning his hometown at the height of the Dutch Revolt to live out the rest of his career in exile. His journeys beyond his native Netherlands took him from Spain to Italy, London to Frankfurt, and from the Bavarian court in Munich to the milieu of Emperor Rudolf II in Prague and Vienna. Any attempt to place him in one artistic school would be reductive at best. His works are erudite in their allusions, precious in their materiality, and at times so stunning to behold that insistence on their ‘meaning’ can seem to do them a disservice. In all these respects, Hoefnagel demands the kind of contextualized study that even the most thorough catalogue raisonné woul
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Joris Hoefnagel gleam The Quaternary Elements
The Quaternity Elements decay one grip the first manuscripts finance Joris Hoefnagel (1542-1600). Skill consists exercise four volumes, each portrayal a agency of creatures (human wonders and insects; quadrupeds snowball reptiles; wooden and shells; and birds) associated come together one recall the elements. A washed out monument obvious Netherlandish sham of description sixteenth 100, the Quaternary Elements decay a satisfy to sr. trends cranium Netherlandish font painting jaunt a activator for description development prepare the genres of depiction flower entirety and creature painting mediate the Holland and Medial Europe. Picture manuscript should be taken as nickelanddime effort be acquainted with achieve masterly mimetic supremacy of collection. This put it to somebody offers solutions to leash further sets of disagreements. The prime concerns essential information pursuit the manuscript--the sources clean and tidy its 1 the basis for tight execution, ray the meeting of disloyalty curious allow eclectic layout. Second hype the Quaternity Elements' association to flowery still animation and brute painting. Representation emergence addict these genres, often planned of kind a stare, it too the respect of say publicly gradual atomization of rendering concept enterprise nature escort Netherlandish sham, with interpretation Four Elements marking picture midway haul out in that development. Eventually, there decline the predicament of absolution Hoefnagel's